Good copy: "Evil is a Human invention"
"Tomorrow When the War began"; tells a powerful, intensive exciting, story of Ellie and her friends who struggle in the grips of war.
One of the central ideas in this novel explores the concept of evil. In his book, it is evident that evil is a result of conflict and every action in War. Ellie, the narrator in this story, changes because of war and starts to think of the seriousness of war and justify whether it is ok to kill or shoot people and whether or not it is evil. In war, killing is what you have to do for your country and valuing (saving) other people's lives. Australian lives in this novel are dramatically affected by war. Evil in particular is cruelly portrayed in the novel with a range of actions and images and themes. Ellie and her friends, faced heaps of ordeals such as accepting the idea to kill and the ugly choices you have to make.
So what is evil?
(Define evil) Evil is a result of conflict and every action in war
There is no doubt that War presents itself as evil to the reader since the start of the book.
However the book suggests that neither evil is good or bad, only thinking makes it so. Evil in particular, is cruelly portrayed.
A good example for instance are the jets, seen by Ellie is described as sinister and threatening on pg 38.
"A V-shaped line of jets raced overhead, very low overhead, and then another, till six lines in all had stormed through the sky above me. Their noise, their speed, their darkness frightened me."
Another good example is when Ellie finds the dog dead at the start on page 55.
"The dogs were dead. That was my first thought. They didn't jump around or moan with joy when I ran over to them, like they always had done. They lay besides their little galvanised iron humpies, flies all over them, oblivious to the last warmth of the sun. Their eyes were red and desperate and their snouts were covered with dried froth.
This is the first time that Evil presents itself to the group. The image of death in war is described by using the innocent family dog. John Marsden writes about the terror, rational, scared thoughts of Ellie as she sees the dogs' dead which is really upsetting for her and the reader. The dogs in this story are seen innocently. In a, way John Marsden smartly portrays the cruelty (and evil) of war by describing the dogs seen dead in the start of the story
Overall, all of this is one of the key aspects which make the whole idea (war) sound and look "evil" to the group.
From what they've been through, the group also has been psychologically and emotionally torned as a result of conflict.
Because of this, they explore the idea of whether to shoot or not. Like for example, in chapter 7, Lee warns Kevin of "making some ugly choices" if the dog comes along. This meant that, if a crisis occurs, (eg. Soldiers on the point of finding them) then the dog has to be silenced (killed) before the situation gets extreme.
But besides this, the group has also discovered that killing is what you have to do to value your friend's life above others. After all, it's ok to human nature.
The main s is Evil is a result of conflict and action in war. Evil is a human invention. It also has effected the group psychologically and questioned whether killing is evil or not and making ugly choices to value friends lives over others.
Ellie and the Hermit.
Ellie presents herself as an innocent person. She faces many challenges but what troubles her the most is accepting the idea that sometimes you have to kill to stay alive. She is at critical cross road, she is discovering the simple belief "thou should not kill" and especially since evil associated with it.
Ellie tries to overcome the horrors of what's she has done, such as blowing up the mower and running over soldiers when rescuing Lee. She has done this so that in the end it comes to valuing her friends such as Lee.
Ellie shares a link to the hermit. She has been responsible for the death of others.
The hermit's wife and child was killed by the hermit as they were both burnt horribly and that he could not bear to allow their sufferings go on. So he shot them in the head for the better instead of leaving them to suffer on fire. It was like an act of love.
Similarly, this also relates to Ellie because she also has killed people just to value others. As well as for living in hell too!
To sum it up, Ellie has been thinking about decisions of killing people and justifying whether it is right or evil. When we reach at the end of chapter 19, Ellie can see for herself that killing means nothing to nature. The dragonfly for example, eating the fly demonstrates this.
"He just enjoyed his meal. Humans would call it evil, the big dragonfly destroying the mosquito and ignored the little insects suffering. Yet humans hated mosquitos too, calling them vicious and bloodthirsty. All these words, words like 'evil' and 'vicious', they meant nothing to nature. Yes, evil was a human invention." (pg 243)
Therefore now Ellie accepts that killing is not bad as thought. Evil has nothing to with it. Evil is simply a human invention.
John Marsden portrayal of words, images and themes about evil.
The writer of Tomorrow When The War Began, John Marsden, delivers techniques such as imagery and emotive language to portray evil in War. The point is proved by the many examples of ordeals and horror Ellie and her friends faced
In thew story Marsden uses Ellie to describe the incidents that happened since their arrival in hell. Images (events) are used to highlight the mounting suspension, such as during the night, hundred of jets came in fast and low with no lights, fires scattered across the countryside and the idea that commeration day was used as an opportunity for an invasion.
Altogether, this shows the turning point of Ellies world changed, forever and exploring the message of war plus 'evil'.
For example, he smartly portrays the Jets in chapter 4 as sinister and threatening. He describes them like "black bats screaming out of the sky", the noise and how they stormed fast above very low when you had least expected that anybody would come when you think you're the only one person to ever come across hell.
This also shows comparison of the hell (peacefulness, peace) and jets to emphasis the meaning of evil from it.
Another good example is when Ellie finds the dog dead as explored earlier in my discussion.
These images confront both the reader and the character. Ellie states in pg 57 "There was nothing. I felt a new kind of fear now; a kind of fear I had never even known about before."
The worst part of the war is seeing someone house blown up. Take Corrie for instance, in chapter 9 on pg 119 Corrie and her friends had to watch her house blown up
"There was something sinister about it, something diabolical. It flew with a sense of purpose, deliberate and cold blooded. As it crossed the road it seemed to pause, a little, give a slight shudder. From under each wing flew two little darts, two horrible black things that grew as they approached us. They were coming terribly fast. Corrie gave a cry that I'll never forget, like a wounded bird. One rocket hit the house and one all it took."
By carefully looking at the imagery, themes and emotive language of this novel written by John Marsden. It realistically portrays the people suffering in the war, seeing Corries houses blown up and witnessing the destruction and chaos. But one thing is most certain, all war is evil. Evil is a human invention.
To summarise, Evil is a human invention in Tomorrow When the War Began. Evil is a result of conflict and every action in war. Killing is what you have to do to value your friends lives above enemies. Altogether, evil and killing means nothing to nature. John Marsden delivers techniques such as words, imagery and themes in the portrayal of evil involved in the book. It realistically portrays the people suffering and confronting the chaos and horrors.
There is no doubt that Evil really is a human invention.
Fi (Fiona Maxwell)
A character profile of Fiona Maxwell (Fi) from the Tomorrow Series by John Marsden
Note: As always these are just my opinions and thus subject to change at any time. If you disagree, think I have missed something, or have something to add, please use the link at the bottom of the page to send me a note.
WARNING: Partially blows plot of each book
Please don't read on if this concerns you
For those who like stereotypes, Fiona Maxwell is behind the eight ball. She is set up to fail in the environment the group finds itself in. She is unassertive, pampered, with no real knowledge of camping or the bush. She is someone who has never done a day's hard work in a her life and even she knows it. She also missed the school's "Outward Bound" course (she was on a horse riding camp). Even she doubts she has what it takes to resist, to survive. But Fi is not a stereotype, instead she makes me wonder about just what courage really is.
So what is Fi ?
Fi is a survivor.
While she is totally out of her depth at the start of "Tomorrow, When the War Began", well illustrated by her packing for the initial trip (1) and she is the one you would expect to be lost first, she actually comes through the whole war seemingly the least changed. On the way she shows an extraordinary resilience in the face of the disasters that overrun them. There is only one occasion when she comes totally undone, after being chased through the night by the soldier at the end of the encounter with Harvey's Heroes. Even then she manages to hold herself together until her friends have a chance to intervene. She only fails twice more, and then only partially. First when they are trapped in the paddock with the horses though she recovers within minutes and saves Ellie's life in their wild ride to freedom, her second minor failure coming after fleeing the wrecked 4WD in Wirrawee, and on that occasion everyone is a write off except Ellie (2).
In the mean time her skills develop. She is never good with guns nor comfortable by herself in the bush but she advances remarkably compared to where she started (3)
Fi is continually underestimated by and never fully understood by Ellie.
Ellie has known and loved Fi since they were both 5 years old, yet when the pressure is on, she realises that she does not really know her at all. There is something powerful inside Fiona Maxwell. With her soft polished voice, her grace, her beauty and tiny body Fi has always seems like an ideal to Ellie, someone Ellie "... looked up to as the perfect person, When she did something wrong I'd say, 'Fi! Don't do that! You're my role model" (Tomorrow, Ch 1, p14). Ellie had put Fi on a pedestal and blinded herself to who Fi really was.
In seven novels Ellie never really seems to understand Fi. She realises that she has spent most of her life with a wrong impression of who her friend really is, and she considers this while they wait to attack the bridge (4) and again, at the start of "The Dead of the Night" (5) but she never really reaches any conclusions and Fi maintains her ability to surprise Ellie till the end. (6)
If there is one constant about Fi, it is that she looks scared. If there is a second, it is that she just won't stay inside the mental image Ellie keeps building of her.
Fi is a nurturer, but one with insight and perception who is willing to risk her relationship with Ellie to try and save her.
As time goes on and Corrie and Robyn die, and Lee gets lost inside himself, Fi steps in as Ellie's major emotional support. Ellie comes to depend on her very much, just as Fi depends on Ellie in a different way. At the end of "The Third Day, the Frost" (ch 28, p275) when they are recovering in New Zealand, Ellie writes of Fi "Even now I get terrified if she leaves the room for a few seconds and I don't know where she has gone."
Again and again, through the rest of the series we see Ellie turn to Fi for support, though none more than at the end of "Burning for Revenge" when Ellie struggles back, seriously injured, from rescuing Lee and again as she sits with the dead child in "The Night is For Hunting" (7).
But Fi is no simple crutch, instead she is a mirror, forcing Ellie to look at herself ("Darkness, Be My Friend", p52 "'Well Ellie,' said Fi, who never let me get away with much ...").
Fi has an active intelligence, and she often responds to Ellie much more powerfully than any simple "Its OK" could ever be. A good example is the discussion they have in the tree outside Tozer's (8). But, for me, the greatest example of how much Fi loves Ellie and cares for her is what she says as they climb the spur near the start of "The Night is For Hunting" (9). Fi risks her entire relationship with Ellie, which must be the most important thing in her life at this point, to try and reach her friend, whom she can see self destructing before her eyes.
Fi is a follower.
We are all a mix of strengths and weaknesses, and while Fi is a great carer she needs someone to provide leadership. Fi does become more assertive and there is one occasion when she takes the leading role in planning, when they are in the wreckers yard after the attack on Cobbler's Bay (10). But that plan of Fi's, and its flaws (take the Jackaroo for one) leads directly to their capture, their imprisonment and the death of Robyn. After that experience Fi never takes the lead again. She becomes more assertive about wanting leadership and contributes plenty of ideas (11) but she is never again willing to be responsible for the planning. Instead she reverts again to being a follower, Ellie's follower.
Over and over again, Fi looks to Ellie for leadership and accepts her judgment. She explains while they wait to deploy at the start of "Darkness, Be My Friend" (Ch 3, p23): [Fi says to Ellie] "'...You've always had the guts to do things. You're not allowed to stop. We'd all give up then ..."
Even in the desperate situation of the Airbase, Fi looks to Ellie. Then a few pages later she will follow Ellie to what seems like certain death (12). She is terrified, but she just accepts Ellie's judgment that now is the time to die, and for this. She moves onto the next logical step, how do they deal with Kevin?
Even right at the end of the series, when they are all back together and Homer is explaining what they did after they lost Ellie, it is obvious that Ellie is the one Fi trusted to plan. (13)
Ellie and Fi have a strongly cross dependent relationship. Fi supplies emotional support to Ellie, which Ellie desperately needs. Ellie provides inspiration and leadership to Fi, two things critical to Fi being able to keep going. Only when Ellie does not provide it does she look to others and it is Ellie's failure to assert leadership in "The Other Side of Dawn" that allows Homer to just about get them all killed.
Fi is both the most frightened and also the most courageous.
When I was reading the novels the first time, I came away with the impression that Fi was not very brave, just someone who hung around in the background and let the others do the fighting. One of the constants of the series is how regularly Fi looks and acts frightened. But reading through the second time I have reversed my impression. Now I think that Fi, who is routinely terrified, may well be the bravest of them all. Despite her continual terror she keeps performing, she keep going, she keeps her perspective when others are losing theirs. She is cursed with a memory she can't control, that throws messages of horror into her mind, but she is the one who controls her actions, not the horrors she can't push away.
With the start of the war Fi seems to be the weak link in the team's lineup, but as the team discusses what to do Fi's qualities start to show through. (14) She decides to act, despite her fear, because she can't cope with the thought of doing nothing. Then at the next decision point, whether to start active resistance, she is obviously terrified but she again decides to go ahead, because she can't bear to let her friends down (15). She will, even then, put her life on the line for them.
Understandably Ellie is not comfortable being teamed with Fi for the attack on the bridge, again from "Tomorrow, When The War Began" (Ch 20, p250): "I was a bit nervous being paired with Fi. I guess true courage is when you are really scared but you still do it. I was really scared but Fi was really really scared" thought that soon changes to admiration as Fi leads the tanker to the bridge "I have always admired so much about Fi, but now it was her courage I was admiring, instead of her grace and beauty. She looked like a breeze would blow her over, but there she was, going alone through the deserted streets of a town in a war zone"
Fi is terrified, the curse of an active imagination, but she is not initially undermined by what they are doing, unlike the rest of them (16) though even she does not survive what happens in "The Third Day, The Frost". Her shell is cracked and she becomes the person least able to push from her mind the terrible events of Stratton Prison, they come to her whenever the action starts and in her dreams (17). She can't stop thinking about Robyn and the prison, as well as the new horrors that pile up, such as the airfield (18).
That is Fi's reality. She can't push it from her head. But while these things infest her thoughts, they do not control her. She is terrified, her thoughts are full of these memories, but she continues to plays her part. Who is the more courageous. ? The fearless ? Or the frightened individual who acts despite the fear ? In continuing to acting despite having her mind filled with these terrifying memories, Fiona Maxwell shows a courage that is humbling.
Fi does have her limitations, plenty of them, but she plays her part. She normally takes on supporting and nurturing roles, but when the situation requires she will try just about anything, regardless of what she thinks she can do. She does not want to let the team down. Not really a combatant, Fi fights - and kills - when the situation is desperate: (19)
Fi defers to no one in courage, be it the cold courage to continue to function calmly when you mind is full of horror or the hot courage required to climb through a tiny hatch into a burning and wrecked vehicle in the middle of a firestorm to rescue a friend, or on one other memorable occasion, to risk everything to save Ellie, her closest friend (20):
Not bad for a pampered girl from town.
Fi is also still Fi, the girl from Town who Ellie sometimes thinks is from another planet.
Ellie thinks of Fi as having a "butterfly mind", sometimes with good reason. There are some lovely lines. Two minute noodles (21), feeding the ferals their greens (22), "a garden gnome would know more about life" (23), Christmas (24), Water Fairies (25), Santa Claus (26) but best of all swearing (below).
From "The Night Is For Hunting", Ch 11, p195
" I was wrapt to see that. Natalie laughing was was about as common as Homer crying, or Fi swearing or emus flying.
I said exactly that to Fi a couple of minutes later, when we were in the toilet area.
She was indignant.
'I do swear!'
'No you don't!'
'Yes I do! I swear lots of times.'
'Oh Fi, I've never once heard you swear.' Although as I said that I had a vague memory of Fi saying 'bloody' when we were organising the break-in to Tozer's, the night we were nearly trapped in Wirrawee.
'I do, I do.'
I couldn't help teasing her. She was so anxious to prove she was a rebel. The truth is, she was as much a rebel as I was a supermodel.
'OK, so when was the last time you swore'.
'At the farm, at the Whittakers'.'
'I didn't hear you. Where are your witnesses? You've got to have witnesses.'
'Well, it was to myself. No-one actually heard me.'
'Oh! You can't count that!'
'Yes I can' Fi said, totally unreasonably.
The war had changed many or most things, but Fi was still as innocent, as untouched by badness, as she had been at the start. I don't know how she did it."
What more can you say ?
Fiona Maxwell. A most remarkable young woman and my favorate character from the "Tomorrow" series.
Supporting Extracts - Used with permission
There are some lovely lines in here, have a browse.
Extract 1: Fi and her pack when they first set out for Hell
"Tomorrow, When the War Began", Ch 2, page 20:
"Fi's pack was in direct line of vision from me, and the more I looked at it the more I began to realise how swollen it seemed.
'Fi', I said at last, 'just what have you got in that pack?'
She sat up, looking startled. 'What do you mean? Just clothes and stuff. Same as everyone else.'
'What clothes exactly?'
'What Corrie told me. Shirts. Jumpers. Gloves, socks, undies, towel'
'But what else ? That can't be all.'
She started looking a bit embarrassed.
'Dressing gown? Fi!'
'Well, you never know who you'll meet.'
'What else?' 'I'm not telling you any more. You'll all laugh at me'
'Fi, we've still got to get the food into these packs. And then carry them God knows how far.'
'Oh. Do you think I should take out the pillow then?'.
We formed a committee of six to reorganise Fi's backpack for her. Fi was not a member of the committee."
Extract 2: Fi fails in the field only very rarely
"The Dead of the Night", Ch 11, page 160:
"By then Fi was at the top of the tree and looking up anxiously.
'Come on Fi,' I called from the bottom.
Lee started up the tree as Fi began tentatively to reach out and feel for a handhold. Homer and Robyn we like stereo speakers, urging her on. She went very slowly, using the sides of her shoes instead of her toes, and halfway up she froze. I could see her legs shaking. 'Come on Fi,' we were all calling. 'I can't,' she cries. 'Come on Fi,' Robyn said urgently. 'The soldiers are coming.' They weren't, but it worked. Fi gained another meter with a little scrambling movement, then flung her arm up and grabbed at Robyn's. Luckily she caught it. I hate to think of what would have happened if she hadn't. Even so, Robyn had to haul and haul before Fi, handing like a dead weight, was dragged over the top.
Fi had been brave so many times, shown such strength, but it was like she'd been wiped out by the last twelve hours."
"Darkness, Be My Friend", Ch 11, page 114:
"We huddled together and talked in the faintest whispers. Three of us talked, anyway. Fi just wept, silently. The awful relentless pressure had got to her."
Extract 3: Fi's skills in outdoor living develop - somewhat
"The Other Side of Dawn", Ch 4, p55:
Ellie comments: "I smiled as I watched Fi carefully rolling a jumper and stuffing it deep into her pack. For a moment I thought back, remembering how Fi had been so hopeless about packing when we first set out for Hell. Has she really brought a dressing gown ? I could hardly believe it, but when I searched my memory, where it was: Fi on the top of Tailor's Stitch, looking embarrassed as we gave her a lesson in outdoor living. This time the roles were reversed: Fi caught me sneaking in the rock Lee gave me for Christmas."
"The Night is For Hunting", p77:
Talking about the Ferals Fi says "'I don't understand them going into the bush unless there's someone with them'. [and Ellie comments] I couldn't help thinking Fi was talking more about herself."
Extract 4: Ellie thinks about Fi as they wait to attack the bridge
"Tomorrow, When the War Began" and Ellie thinks about Fi and Homer: Ch 21, p266
"... there was no secret now that there was more to both of them than I'd ever realised. Fi seemed delicate and timid, and she even claimed herself that she was, but she had a determination I hadn't recognised before. There was a spirit to her, a fire burning inside her somewhere. One of those Avgas fires maybe, that burn invisibly"
Extract 5: Ellie thinks about Fi again at the start of "The Dead of the Night"
"The Dead of the Night", Ellie reflects on Fi again: (Ch 1, p5)
"Opposite Homer, sitting with her slender feet and her perfect ankles and her ballerina legs dangling in the water, was Fi. She still looked like she'd always done: ready to pour tea for your grandmother, and hand it over in a Royal Doulton cup. Or ready to step onto the cover of a Western Rose clothes catalogue. Ready to break another guy's heart or make another girl jealous or make you own father go red and laugh and chatter away like he was twenty years younger. Yes, that was Fi: cute, pretty and fragile. That was Fi, walking alone through the dark night looking for enemy patrols, lighting a petrol soaked fuse to blow up a bridge, riding a motorbike across country in a wild scramble to escape bullets. I'd been awfully wrong about Fi. And I still hadn't got her figured out. After we'd blown up the bridge she'd been giggling, saying, 'I can't believe I did that! Let's do some more!' After Kevin drove away with Corrie unconscious in the back seat she cried for a week"
Extract 6: But Fi continues to surprise Ellie to the end
Ellie is surprised by Fi in "Darkness, Be my Friend" (Ch 19, 229) when she insists on breaking into the tank farm with Ellie
"But Fi shook her head furiously. 'No! I'm coming in with you. You're always taking the risks.'
I was surprised, deeply surprised, but this was no time to argue. I was moved, too."
and again, a few pages later, as they run from same tank farm in "Darkness, Be My Friend" (Ch 20, p236):
" 'The car!' I gasped, in case she didn't realise that's where I was heading. She just nodded without looking round. I'd underestimated her again; I was always doing that."
and again, as they wait for a the motorbike patrol to run into the trap in "The Other Side of Dawn" (Ch 5, p84):
" Beyond him Fi watched with her hands to her face. There was a gleam in her eyes though, that was just another of the confusing things I'd noticed about her during this war."
and again, when Fi admits she is still in love with Homer, from "Burning for Revenge" (Ch 15, p211):
" I lay back, mentally shaking my head. One thing about Fi, she was unpredictable."
Despite Ellie's comments about Fi not being a rebel and her incredibly 'proper' upbringing, under the surface there is a little of the rebel in her. From "Tomorrow, When The War Began" (Ch 20, p258):
" 'That's our target,' I said. I turned and found a rock, picked it up and came back to the window.
'Wait,' Fi said.
'Can I do it? I've always wanted to break a window.'
'You should have joined Homer's Greek Roulette gang,' I said, but I handed over the rock. She giggled and drew back her and and smashed the rock hard into the window, then jumped back as glass showered over us both.'
Extract 7: Fi increasingly becomes Ellie's support. Sometimes mentally, sometimes physically
"Burning for Revenge" (Ch 20, p261)
" When we got to the house Kevin was on sentry. He started to say: 'Where the hell have you been?' but one look at me and the words died in his throat. He jumped down and ran into the house. I stopped and leaned against a wall, thinking 'It's all right now, I don't have to do anything. Fi will be here in a moment.' Then she was there and she took me inside, and in one way everything was OK: I was lying on a sofa and getting wiped down and they were trickling water in my mouth and tucking rugs around my feet. Homer was there too, but I didn't want him; it was only Fi I wanted. And she was fantastic. She sent Homer away quick smart and she found some burns cream and some stuff for my bruised ribs from deep inside one of Grandma's cupboards. She supported my head with a pillow and she stayed there holding my hand until I fell asleep."
"The Night is For Hunting", Ch 7, p106:
"... I needed the comfort of being with Fi again, the only person I wanted at times like this, despite the telling off she'd given me on the way down into Hell."
Extract 8: But Fi is not someone who just comforts, she often gives quite powerful responses that make Ellie think.
"Darkness, Be My Friend" (Ch 18, p209)
" 'Ellie, are you still thinking about when you screamed at the man in Warrigle Road?' Fi suddenly asked me.
I nearly fell straight out of the tree. How did she know ?
I waited a long time before answering.
'Yes' I finally admitted.
I thought she'd launch into a big speech about how I shouldn't blame myself and so on, but she surprised me yet again. She didn't say anything. Then I started panicking that maybe she thought I should blame myself; maybe she was wishing she wasn't with someone so unreliable. So I blurted out:
'Do you think I've lost it?'
Again she wouldn't follow the script that I kept writing for her in my mind.
'I guess you won't know until you get tested again.' She paused. 'You were good when you waiting at the tech' with me, but that wasn't so dangerous. Out there in the bush, and at the lookout, you were fantastic, but it was different there too, wasn't it?'
'Yeah,' I said. 'Because it was in the bush, and because we didn't have a choice, and because it was a matter of survival ...'.
'It was in hot blood,' Fi said, 'and this is in cold blood.'
She'd said it. That was the big difference."
Extract 9: Fi loves Ellie so much she will risk their whole relationship to try and help her.
"The Night is For Hunting" (ch 3, p62)
" I don't think I've ever had a bigger shock in my life ...[as] Fi told me a few facts of life.
'Ellie,' She began. 'There are some things friends are meant to tell you, right?'
I didn't even answer. I knew I was in trouble. There are some things I didn't want to hear, even from a friend. Fi gave me a quick look, a troubled look, but she'd obviously made up her mind to say what she wanted and unless I jumped off the side of the spur, I'd have to hear it ...
'Ellie, you've been terrible lately. That's the truth, and if I don't tell you no-one else will. Don't you understand what's happening to you? You've changed so much. This war's making you so hard and horrible, there are times I hardly recognise you. You just seem to be losing all your kindness and understanding and niceness. The way you've been talking to these kids. that's a perfect example ... The war is not their fault ...'
'And another thing Ellie.' I knew what was coming and I definitely didn't want to hear this. I had my lips pressed hard together and I was gazing into the distance at the blue ridge on the far end of Tailor's Stitch. I wished I could tell her to stop, but I didn't trust myself to speak. You can't keep out the truth and that's the truth.
The words fell from her lips. 'Your not being fair to Lee.' ...'He let us all down,' I said. 'He betrayed all of us.'
'That's exactly what I mean. He made a mistake. A big mistake. He's been kicking himself ever since. He doesn't need you to put the boot in as well.
Ellie, there was a time when you would have been the first to understand how something like that could happen, and you'd have gone out of your way to make him feel better. But now you're so hard that you think no-one's allowed a single mistake and if they make one, you punish them for ... well I don't know how long because you haven't stopped punishing Lee from the moment it happened.' ...
'Anyway,' Fi said again, 'in a way it doesn't matter what Lee did. The whole point is, how long are you going to hold it against him?' ...
'But even that's not the main thing for me Ellie. The main thing is, I want the old Ellie back. The Ellie who always helped people in trouble, who was there for her friends. If the war's killed that Ellie, then there's no hope for any of us.'"
Extract 10: Fi takes charge - for the first and only time - after Cobblers.
"The Third Day, the Frost" (Ch 21, p199):
" The most unexpected thing about our meeting was that it was Fi who took charge ... [everyone else was out of it] ... but Fi seemed strong and determined, like she could some times.
'Seeing nobody else seems to have any ideas,' she said in a firm voice, 'I'm going to say what I think.'
'Onya, Fi, go for it' I said
'Well,' she said, 'I think we have to take care of ourselves for a while. The best thing would be a three week holiday on the Barrier Reef, all expenses paid and a thousand dollars spending money. I don't think we are going to get that, though. But even in World War Two the pilots only had to fly a certain number of missions, then they'd be rested. Battle fatigue I think it was called. Well, we've got our own battle fatigue, and we need to take a rest. If we try and do any more for a while we'll just wreck ourselves. The last few weeks we've been going steadily crazy, and part of going crazy is that you don't notice you're going crazy. Whether we do it for our own sakes or whether we do it because it will make us better fighters doesn't matter; the fact is we have to look after ourselves.'"
an excellent idea and a thought that they would have done well to remember in "The Other Side of Dawn". Its the details though where the plan falls down. Particularly ...
"... We've got enough food, easily, with the cans we scored here, but too much to carry. We'll have to take the Jackaroo. I think it's worth the risk ... "
Driving is very high risk and taking the Jackaroo rather than sinking it in a dam and taking a paddock basher is indeed insanity, a fact they find out soon enough.
Extract 11: Hiding in Stratton, Fi looks assertively to Ellie for leadership.
"Burning for Revenge" (Ch 14, p201)
" 'Well, what's next ? Fi asked eventually. 'We have to make plans. We can't just sit here for the next 6 months. We've got a lot of stuff to work out.' She looked straight at me as she said it. All I could think was how much we'd changed, and in such subtle ways. BTW, before the war, Fi would never have taken the initiative like this, especially not in front of Homer and Lee. She would have waited till we two were alone and then we would have talked it through between us. It was only a little thing and there was a time when I mightn't have even noticed it, but I noticed it then, and I felt a bit sad. So many things had changed and I clung even harder to the few things that hadn't."
Extract 12: Fi trusts Ellie so much she will allow Ellie to decide when she should die and how.
"Burning for Revenge" Ch 5, p57:
" 'What are we going to do?' Fi asked as usual. Was it my imagination or was her gaze fixed on me, in the dim shadowy light ? No, it wasn't my imagination."
"The Third Day, The Frost" Ch 5, p60:
"... He was talking about suicide really, about our deaths. I knew that straight away. There was no way anyone was going to attack this place from the inside and survive
I walked away from him then. I needed time to think. My skin was prickling again. It's not an easy thing to face your own death. Not when you're feeling young and alive and healthy. But I hardly had a moment to think before Fi came over to where I was standing. I don't know whether she noticed the way I was shaking, but she didn't comment on it. She just said, very quietly, so quietly that I could hardly hear, 'Lee wants us to attack the airfield I suppose, does he ?' I nodded, hugging myself. Fi started trembling too. In the same soft voice she said, like she was whispering to herself, 'I thought he would'. To my own surprise I said: 'I think he's right.'
'Who's going to tell Kevin?' Fi asked."
Extract 13: It is Ellie, not Homer, that Fi trusts
"The Other Side of Dawn" (Ch 17, p317):
" 'Jeez,' I said. 'I can't believe you're still alive to tell me about it'.
'It was a great plan,' Homer said firmly ... 'Well, except that every enemy soldier for 10 k's around would have come for us like bees at a honey pot' [said Fi]
...[they are discovered before they can carry out their plan and get killed] ...
'Helicopter?' I asked, being a smart-ass. Homer looked seriously annoyed. 'Did someone tell you that?' he asked suspiciously. I laughed. Fi took her hand back and smiled at me and said, 'See? I told you we needed Ellie.'"
Extract 14: Fi commits herself to resistance
"Tomorrow, When The War Began" (Ch 13, p174),
Fi says: "I know what our parents would say. They'd say that the most important thing to them is our safety. They wouldn't want us dead in exchange for them living. In a way we're what gives their lives meaning. But we can't be bound by that. We have to do what's right for us. We have to find meaning for our own lives, and this might be one way that we do it. I'm with Corrie, scared out of my skin, but I'll do it because I can't imaging the rest of my life if I don't."
Extract 15: And again at the next decision point
"Tomorrow, When The War Began" (Ch 18, p240):
" Then Fi, who was looking white and miserable, said. 'I know logically we should do this and we should do that. But all I know is that the thought of doing anything makes my nose bleed. All I really want to do is to go down to the Hermit's hut and hide under his mouldy old bed till this is over. I'm really fighting myself to stop from doing that. I suppose when the time comes I'll probably do whatever I have to do, but the main reason I'll do it is because I feel the pressure of keeping up with you guys. I don't want to let you down. I'd feel so ashamed if I couldn't match you in whatever it is we decide to do. I don't think there's any way we can help our families right now, so not losing face with you all has become my biggest thing. And what worries me is that I can't guarantee I won't pack up under pressure. The trouble is, I'm so full of fear now, that anything could happen. I'm scared that I might just stand there and scream.'"
Extract 16: Fi survives the best mentally till well into "The Third Day, The Frost"
"The Third Day, the Frost", (Ch 1, p7):
" The one who handled it best of any of us, at that stage, was Fi. Fi was so lightly built that she looked like a grasshopper. She was all leggy. Maybe that was why I always thought of her as frail, easily broken, needing protection. But she had a strength that I could never quite figure out. I don't know where it came from, or where she stored it. How much heart could she fit inside that little frame? How tough could that balsawood body be? Its not that that she had no feelings. Fi had always been mega-sensative. She seemed strung like a violin: the slightest touch made her vibrate. But the terrible things we'd done didn't eat away inside her like they did the rest of us. She rose above them. One reason, maybe, was that she was so sure we were doing the right thing. She was proud of what we had done. I felt pride sometimes but, truth to tell, I never knew whether to be proud or ashamed."
Extract 17: But Stratton Prison and how Robyn dies breaks her composure
"Darkness, Be My Friend" (Ch 18, p210):
" Fi shivered. We were very close together and I could almost feel the goosebumps on her skin.
'Stratton Prison' she whispered. 'I have nightmares about that, thousands of them. I can't get it out of my head. Every time we start doing things like this, it's all I can think of. Robyn's face ...'.
'Don't think about it,' I said, quite brutally. Suddenly I had to be the strong one again. 'Don't think about it. If you do you'll paralyse yourself. Think about it afterwards if you want to, but not now'
She bowed her head. 'Yes, I know you're right.'
I thought I'd better change the subject, fast. But for a full minute I couldn't think of a single topic that wasn't painful."
Extract 18: And the airfield infests her thoughts
"Burning for Revenge" (Ch 16, p227):
[Ellie is feeling fairly good] "Fi didn't feel the same though. As we talked I realised to my surprise that she was doing it hard; harder than ever. She started crying when we talked about the airfield. 'It was horrible', she said. 'All that blood. One man, I saw his legs blown off, right under him, his whole body just shook up and down like some sort of horrible dance, his face went all blurry, and he went down on the ground and I couldn't see what happened after that. And another man, I saw the flames whoosh across the ground like they were chasing him and the caught him before he'd moved even three steps ...'.
'Stop it, stop it,' I said. She was bringing up all the things I didn't want to think about. 'Stop it.' Suddenly I didn't feel so good. But I had to shake her to shut her up. She wanted to talk about the jeeps crashing, about being trapped in the back of the truck with Kevin, about the officer she'd seen pull out a revolver and shoot himself as the flames closed in. I didn't want to talk about any of it. I'd more or less convinced myself it was all OK, that we were soldiers doing it for our parents and Colonel Finley and Ian and Ursula and here was Fi dragging me back into the world of reality.
'Talk about something else,' I begged."
Extract 19: Fi will do whatever she has to when the moment demands
"Burning for Revenge" (Ch 7, p85):
" I made Fi take [a rifle] too, though she was definitely not calm. I could never quite get used to Fi holding a rifle. It was like Homer holding a Barbie Doll
... [Ellie glances at Fi (and Homer and Lee) before they start the attack] ...
I was a bit surprised to see the other three had identical expressions: thin lips pressed together, pale complexions, sweaty foreheads, but steady eyes. I was encouraged by that
[... the launch the attack ...]
As soon as we were far enough out of the turn I slammed on the brakes. Fi had just got up on the seat. Now she lurched forward, hitting her head on the windscreen ... there was blood running down her face and she looked as pale as a peeled banana ... I grabbed one rifle as Fi lifted the other. Fi was the worst shot in the Southern Hemisphere, but at least she was marginally better at handling a gun now, compared to when the war started ... I said to Fi: 'You do the tankers.' She looked at me in horror. 'Oh, but Ellie ...' 'Just do it,' I yelled at her. ...
Fi, looking sick, raised her rifle ... I braced myself, waiting for the huge explosion ... nothing ... I was looking around for Fi, to see what had happened. She was distraught. 'I missed,' she sobbed. She was like a kid who's grazed her knee. I couldn't believe it ... 'Go again', I screamed at Fi ...
Fi finally had her second shot. It felt like she spent five minutes lining it up. It wouldn't surprise me, because she would have been so nervous about missing again. She did not miss.
[... they are caught in the fireball ...]
God, how I will never forget that feeling. Now I know what cyclone victims go through. The terrible noise, the complete loss of control, being shaken with bone snapping violence, like a rabbit in the mouth of a terrier, like a sock in a tumble dryer
[... they come to a stop, their 5 ton truck blown 50 metres, they have been totally smashed around and then Fi surprises Ellie...]
Then she did something really heroic. First Homer, now Fi. I'm not kidding, we were in big trouble with air. I think all the oxygen must have been sucked into the fire because I honestly felt I might suffocate. Fi looked very red in the face, but she suddenly started to to climb through the hatch. I grabbed at her to ask her what she was doing, then I realised. Kevin !"
Extract 20: Including putting her life on the line for Ellie
"Darkness, Be My Friend (Ch 11, p125)":
" I had never called out to Fi for help before. Not like that. Not that desperate call for help that says, 'I want you to put your life at risk for me.' I hadn't ever asked her to do that before. But I was too panic-stricken to do anything else ... I didn't want to be left alone to die. I didn't have Robyn's courage.
So I called out, with all the breath I could find: 'Fi! Fi! Help me, please' Even as I said it I felt guilty. I knew I was exposing Fi to a terrible risk. But thank god she heard me
She turned her horse as much as she could and got him to pull up, which was difficult
... [as she tried to give Ellie a lift a soldier started to line up on Fi with his rifle] ...
I knew the deadly peril in which I'd placed Fi ... She was about to be shot dead from behind ... I screamed at Fi ... She just yelled at me: 'Hurry! Hurry! She'd decided there was no use getting excited about what ever was happening behind her. That was brave. It gave me the energy to get moving: even though I was sure we were both going to be killed. It seemed better to die doing something than to give up.
... [at the last moment Homer rides the soldier down from behind]"
Extract 21: Two Minute Noodles
"Tomorrow, When the War Began", Ch 3, page 33:
" 'What are we having?' she asked.
'Two minute noodles for now. We'll cook some meat later, but I'm too hungry to wait.'
' What are two minute noodles?' Fi asked.
Lee and I looked at each other and grinned.
'It's an awesome feeling,' Lee said, 'to realise you're about to change someone's life forever.'
'Haven't you ever had two-minute noodles?' I asked Fi.
'No. My parents are really into health foods.'
I'd never met anyone who hadn't had two minute noodles before. Sometimes Fi seemed like an exotic butterfly.'"
Extract 22: Feeding the Ferals Greens
"Burning for Revenge" Ch 14, p202:
" These kids probably don't have a clue that vegetables grow in gardens,' Fi said. 'They probably think they are manufactured out the back of the supermarket. There's probably lots of gardens around here where we would find stuff.' That was a good idea though there was something in Fi's voice that made me suspect she wanted to sit the kids down at a long table and feed them greens. It was a frightening thought."
Extract 23: A Garden Gnome Would Know More About Life
"Burning for Revenge" Ch 15, p210:
" I went a bit red and turned my face into the pillow. Sometimes Fi seemed like she'd been born a hundred years too late. She belonged in the nineteenth century. Talk about innocent. She'd been in a war and killed people, yet a garden gnome would know more about life."
Extract 24: Christmas With All The Trimmings
"The Night Is For Hunting", Ch 2, p14
" My talk about Christmas set her off in a big way. I think she immediately imagined a happy christmas dinner with everyone sitting around a decorated table and Santa making a surprise visit down the chimney. I didn't get the same picture when I bought it up on my monitor. These kids would eat the reindeer and strangle Santa. But I didn't say anything. I didn't want to spoil her dreams. Fi, the last of the great romantics"
Extract 25: Water Fairies
"The Night Is For Hunting", Ch 7, p120
" Fi's way of motivating them [the ferals] was to make up a story about the water fairies. 'Do you know,' she said as we sat in a grassy spot halfway to the top, 'in the river in Hell there are little rock pools where fairies live? They sit there at dawn combing their beautiful hair and arranging their gossamer wings.'
... 'And the prettiest fairy, whose name is Princess rainbow -'. At this point Homer retched loudly over the back of a tree trunk. Fi glared at him, but personally I was grateful to Homer. I don't know how old Fi thought the kids were
... I had a sudden thought that maybe Fi actually believed in her river fairies. I didn't want to pursue that idea: I pushed it out of my mind fast, before it did any damage."
Extract 26: Santa Claus
"The Night Is For Hunting", Ch 8, p137
" 'Lets get started with the essentials. Santa Claus?'
'Absolutely. For Natalie's sake,' Fi said firmly, then added. 'And for mine.'"